This article is based on material from a past online workshop on Jacques Lancelot's 21 Etudes, especially No. 7 and No. 9. In the workshop, we looked at how to read information from the score and connect it to actual playing: key signatures, dynamics, expression markings, rhythm patterns, phrase shape, and musical form. This article focuses on one small but important example from No. 7: the F♯ in measure 3. At first, this may seem like a simple fingering question. But in etud

Hi, I’m Izumi from Fujiyama Clarinet Studio in Japan. I teach online clarinet lessons and create programs to help clarinetists build strong, reliable clarinet technique fundamentals—step by step.. Do you ever notice that—even though you know “basics matter”—your daily practice slowly drifts into your own habits? Things like the attack, airflow, or the timing between fingers and tonguing can get blurry without you realizing it. That’s why we’re hosting a Clarinet Etude Challen

assisting with band instruction at a high school on the Iwakuni U.S. military base FUJIYAMA CLARINET STUDIO Online Clarinet Lessons with...

Working on Clarinet Etudes (Stark) （it was posted on NOTE on Jan 2024, and edited and translated into en） The clarinet population across...

Working on Clarinet Etudes (Demnitz) （it was posted on NOTE on Jan 2024, and edited and translated into en） The clarinet population...