At Fujiyama Clarinet Studio, we continuously offer lessons that prioritize clarinet fundamentals, along with various programs and online challenges, so that everyone who loves the clarinet can brush up their skills at their own pace—wherever they are. Recently, we ran the “Demnitz Etude Challenge”, aiming to elevate the essential clarinet articulations—tenuto (tonguing), legato, and staccato—from “I can do it” to “I can manage it consistently.” By making it easy to incorporat

Understanding Clarinet Breathing Fundamentals Clarinet breathing is the hidden engine behind tone, articulation, and musical flow—less about “taking a big breath” and more about letting the body coordinate efficiently so air moves freely and quietly. When the ribcage, diaphragm, and throat stay mobile instead of fixed, inhalation becomes reflexive, exhalation becomes expressive, and phrasing starts to feel both more stable and more flexible. At Fujiyama Clarinet Studio in Yan

Left-Hand Tension on Clarinet Fujiyama Clarinet Studio is located in Yanai, Yamaguchi Prefecture. In lessons, one of the most common concerns I hear is: “My left hand feels tight,” or “My left hand locks up and my fingers won’t move.” The cause is often not sheer finger strength, but the way the supporting finger (the thumb) and the moving finger (the index finger) fail to work together. That mismatch creates unnecessary tension in the entire left hand. In this article, I’l

Welcome back to the Fujiyama Clarinet Studio Blog. We are located in Yanai, Yamaguchi, Japan, providing bilingual lessons both at studio and online. On January 15th, I held the first online breathing workshop via Zoom. Participants Students who had started the breathing training challenge joined the session. Some participants were only two weeks into their training, creating an enthusiastic atmosphere from the start. Being held online, participants from distant locations coul

Yamaguchi-based Fujiyama Clarinet Studio in Yanai specializes in clarinet lessons for adults. In this blog, I’d like to share highlights from a November lesson with an adult student, using Boccherini’s “Minuet” and Yukiko Nishimura’s “Smiley Moon” as our main examples. If you are aiming for ABRSM Grade 3 or coming back to the clarinet as an adult, I hope you find some practical ideas here. What We Learn from Boccherini’s “Minuet” Boccherini was an Italian composer of the